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Showing posts with label Emily Dickinson. Show all posts
Showing posts with label Emily Dickinson. Show all posts

Wednesday, May 4, 2022

7 Poems responding to 7 Poets


The idea for this blog post came about because of the tremendous encouragement I received from posting a poem dedicated to Mary Oliver on a social media page honoring her.

After reading the works of hundreds of poets, deciding my poems were totally out of sync, and giving up on the genre I’d loved since childhood, I ran across a little book by Mary Oliver with accessible poems I related to so well that I began to write again. Naturally, I wanted to acknowledge her work, which, at the time, used the unique format I mimicked in this poem:

 

Late Night with a Seasoned Poet
            after reading Mary Oliver

I cannot reach you
  at five a.m. when you spring
   awake to watch a summer rose

 fall into a pink-petaled
  lake where fishes bloom.
    I'm not a morning

person unless a winter-
  less night yawns & stretches
    into dawn with jarring songs 

of owls & whippoorwills
  and the charming squeak of
    a bat. Outlined at dusk,

 its soaring silhouette
  intersects the evening
    sky, circling insects

 and other small mysteries
  revealed to me before the
    pink-pollen light recedes.

                                         And then,
                                   everywhere,
                             everywhere,

     black roses blossom: hybrids
   cultivated from a long, wild
growing season of the night.

Mary Sayler, from Living in the Nature Poem and A Gathering of Poems

 

Although he’d unfairly fallen out of favor in the late 20th century, the work of Carl Sandburg drew me, too, because, like Mary Oliver, his poems were accessible and his metaphors apt. For example, his famous fog coming in on cat feet resulted in this response:


Weathering Sandburg 

The fog comes in cat
fur: pale gray Persian
with traffic sounds
rolled into the round
core of a purring rug,
each end opening to
skies of Siamese blue.

Mary Sayler, from A Gathering of Poems

 

As I continued to discover poets whose work I wanted to read more than once, poetry books by Wallace Stevens started to appear on my bookshelves. His intriguing titles and love for Florida (my almost-native-home) evoked this poem:

 

Landscape Loved by Wallace Stevens 

If you could fly over \ yards and yards
of green lace lining the Gulf and Space
Coasts, you would see low-lying bands
of land seeding the sea with pockets blue-
beaded with water, and you’d wonder how
one more word could fit into the shell-
shaped pattern, hemmed with canals, and
not unravel beneath the weight of so many
people pushing the delicate fabric, poking
the intricate design, picking at flaws not
found in winter-bound spools of wool.

Mary Sayler, from Living in the Nature Poem and A Gathering of Poems

 

As a writer and poetry-lover, I’ve often aspired to saying as much as possible in as little space as possible. So, with that in mind, you can guess why Walt Whitman’s longer-than-long poems didn’t initially appeal to me! But then, his poems happened to be the only ones in a bookshop in the beach town where we were vacationing for the weekend. 

Reading this poet-ahead-of-his-times, I discovered the incredible inclusiveness of his poetry. My response to him came right when I’d found I liked reading and writing prose poems (aka paragraph poems), but the impetus for the following poem came when I caught a glimpse of someone who looked like a photo of Whitman.

 

Leaving Walt at the Mall

Coming out of Dunkin’ Donut, I walked right by Walt Whitman without even speaking. You know how he likes to include everyone in a conversation and can go on and on, and I just wanted to get home before my caffeine let down. Later I felt bad about giving him nothing more than a nod, especially since I’m sure his driver’s license expired long ago. He’s been gone for over 100 years now and was almost that old when he died, so I could have at least offered him a ride somewhere, even though, by his very nature, he might not like being confined in this little boxcar of a poem.

Mary Sayler, from A Gathering of Poems

 

Interestingly, a contemporary of Walt’s, Emily Dickinson’s life and poems were almost the exact opposite of his! While he traveled widely and embraced fully almost everything, Emily lived a rather self-contained, reclusive life in New England where her poems resulted from penetrating observations of people. Often this included a breathless approach, dry wit, and the musicality of ballads.

 

Emily Dickinson Dips Ink

The music breaks
crystal.

Shards
strike the page
with spikes and slivers.

Vermont maples
explode
red and gold 
with no syrup
to make the fragments stick.

A dark stare
from a paper-white face
peers
at that bruise beneath
your left rib.

Mary Sayler, from A Gathering of Poems

 

While still enamored with prose poem-writing and intent on discovering poets whose lives and cultures contrasted with my own, I ran across the sensitive, insightful, and soulful poems of Attila Jozsef. In his poem, "The Dog, for instance, the creature and the poet morph into one. Anyway, I hope you will look up his work on the Internet and become familiar with him and, indeed, all the poets honored in this post.

 

Scavengers
   after reading Attila Jozsef by Attila Jozsef

Attila the Hungarian poet, I really love you. Please
believe me before you throw yourself beneath that
train. The fright of flying freight crushes my reading
of your prose poems – poems poised with insight
and odd juxtaposition. I try to rescue the paragraphs
you pose from extermination, reeling as I read. What
can I do but pet The Dog you left behind, ragged and
muddy, ready to avenge your wounds and scavenge
the pieces of God you hid in my upper berth on this
looming train?

Mary Sayler, from A Gathering of Poems

 

A tragic loss for the poetry world and for those who loved him, Jozsef committed suicide in his early thirties. Since this month is being devoted to mental health awareness, perhaps his work will be rediscovered. I hope so.

Around the same time I devoured Jozsef’s poems, the poems of Marin Sorescu provided a delightful diversion. Despite living under unimaginably oppressive conditions, Marin apparently made the decision to write with wit and irony, rather than direct confrontation, which kept his work publishable in his home country and, eventually, here.

 

Sorescu’s Core
in honor of a Romanian poet

Marin, I’ve been staring
at the painting that you did
as a cover for translations
of your poems: a bowl
of fruit, well-suited to design
the colorful plump phrases
pared to sink your teeth
into the pulp of apples,
oranges, lemons, life-sliced
and spiced and eaten with
your hands
behind your back, elbows
akimbo, juice

dripping

      down my chin.

Mary Sayler, from A Gathering of Poems

 

Before publishing this post, I revisited poems by these seven poets, trying to find specific hotlinks to recommend to you. The many options make me plead with you to find and read their poems online!

Well, with five shelves at home devoted to poetry books, this post could go on and on! However, visual problems hinder my reading, writing, and (definitely!) arithmetic as numbers disappear and words or sentences look like they’ve been smashed by a compacter! Nevertheless, my love for poetry hasn’t lessened, so I hope to continue with this blog, albeit irregularly and with occasionally long gaps.

Thanks for bearing with me all these years!

May God bless you and your poetry adventures.

Mary Harwell Sayler ©2022

 

 

 

 

 

 

 

 

 

 

 

 


Saturday, April 30, 2011

Poets who shaped poetry provide good reading for NaPoMo and beyond

This last day of National Poetry Month can begin a new or renewed commitment to poetic excellence in your own work as you resolve to read some of our most influential poets before the next NaPoMo. At first that may sound a little like a homework chore, but if you’re beyond the public school years, you might be as surprised as I was when I re-read and totally got those “Say what?” poems from high school days.

Since my favorite example gave me the shock of understanding and actually liking the once-baffling poem “The Love Song of J. Alfred Prufrock,” let’s start with Pru’s poet-maker.

T.S. Eliot – Recently reviewed in The New York Times, this Nobel Prize poet reflected less than noble views as a man of the times who recorded what he saw. A long list of still-familiar quotations may give you a truer perspective of his perspective, but regardless, notice the brilliant metaphors in Prufrock, then read the poem aloud to hear the amazing musicality. Also, contemplate the multiple meanings in another must-read, “Journey of the Magi.” If you like Eliot’s poems, as I do, you might want to check out his essays on poetry too.

Ezra Pound – A friend of Eliot, but frankly not mine, this controversial figure and founder of the Imagist movement wrote essays about poetry, got arrested for his fascistic views, and was eventually declared insane. Acclaimed though he continues to be, I never connected with Pound or his poetry, yet he wrote one of my all-time favorite poems in two exquisite lines, “In a Station of the Metro.”

Robert Frost – Despite a whirl of poetic movements moving around him, Robert Frost kept writing in traditional forms and meter, winning four Pulitzers in the process. “Stopping by Woods on a Snowy Evening” reminds me to say that most people warmed to Frost, whose poems these are we think we know, but if you read his work again and aloud, you might be surprised how the possibilities for interpretation continue to snowball.

Gerard Manley Hopkins – This inventor of tightly compressed “sprung rhythm” became a Jesuit priest who wrote religious poetry of high literary quality that continues to be appreciated today. For example, “Windhover” orchestrates a symphony of sound echoes, and “God’s Grandeur” pictures the shining of shook foil, but my favorite is the insightful, quietly sensitive response to a young child in “Spring and Fall.”

Emily Dickinson – Reclusive for reasons people still speculate about, the real Em comes through her recently published letters and the museum that honors her. Numerous websites post her poems too, but as you read her work, listen for the music of a traditional ballad form and look for dashes of punctuation that show her dash of thought.

Walt Whitman – Known as a liberator of free verse in America, Whitman liberated lines of poetry and lines of thought in the expansive, inclusive lists or catalogs in his poems, many of which can be found on the Internet. Like Pound and other well-known poets who invented or re-invented poetic forms and styles, Whitman self-published his early work, including a slim volume that kept growing and growing as Leaves of Grass.

This list could keep growing, too, but not begin to touch the hundreds, indeed, thousands of years of great poets who greatly influenced poetry – poets such as Horace, Sappho, Basho, Aristotle, Petrarch, Shakespeare, Donne, Coleridge, Wordsworth, Yeats, and Auden. Hopefully, you’ll read them all!

If you already have a favorite, you’re once again invited to add the name of an influential poet or poem in the Comments section below.


~~

(c) 2011, Mary Harwell Sayler